城市家具
CITY FURNITURE
“城市家具”的概念在近年流行起来,其实它就是指城市中各种户外环境设施。专业人士介绍,城市家具具体来说,就是信息设施 (指路标志、电话亭、邮箱),卫生设施(垃圾箱、饮水器),道路照明,安全设施,娱乐服务设施(坐具、桌子、游乐器械、售货亭), 交通设施(巴士站点、车棚)以及艺术景观设施(雕塑、艺术小品)等等。
The concept of "urban furniture" has become popular in recent years. In fact, it refers to all kinds of outdoor environment facilities in the city. Professional introduction, city furniture in particular, is information infrastructure (direction sign, telephone booth, mailbox), sanitation (dustbin, water fountain), road lighting, safety facilities, entertainment facilities (visitors, table, amusement equipment, kiosks), transport facilities, bus stops, carport) and art (sculpture, art sketch) landscape facilities, and so on.
功能
1.装饰审美的功能
即在一定的情况下起到愉悦精神,陶冶情操的作用,也是视觉感官的第一印象,城市家具的审美功能不仅可以增加生活情趣,而且还可以体现作者的设计理念和艺术造诣,对普通百姓也可以有审美的促进和培养。是对时代生活的反映和对未来的展望。
2.实用的功能
作为城市家具,其作用和家具的概念是一样的,就是满足城市居民的生活,为人们提供识别、依靠和洁净等使用功能,这也是城市家具产生的首要原因,功能性是其必须解决的第一问题。
3.文化传承功能
城市家具作为城市环境景观中重要的组成部分,文化尤为重要,没有文化的城市,是没有活力的城市。文化不仅可以给人以精神上的鼓舞和陶冶,提高审美的享受,也可以调剂人们的情绪,规范人们的日常行为,是精神文明和物质文明的载体。同时城市家具的出现作为一种文化传播的媒介,可以很好地传递城市的文化和精神。同时也可有效地激起市民的共鸣和对地域的热爱。
FUNCTION
1.The function of decoration aesthetics.
In certain cases a cheerful spirit, edify sentiment, is also the first impression of visual sense, the aesthetic function of city furniture not only can increase the life interest, but also can reflect the author's design idea and artistic attainments, the ordinary people can also have aesthetic to promote and develop. It is a reflection of The Times and a vision of the future.
2.It is a practical function.
As urban furniture, the role and concept of furniture is the same, is to meet the needs of urban residents life, and provide people with the use function such as identification, rely on and clean, this also is the leading cause of the urban furniture, functionality is the first problem must be solved.
3.The function of cultural inheritance.
As an important part of urban environmental landscape, urban furniture is especially important, without cultural city, it is a city without vitality. Culture can not only give a person with spiritual inspiration and edify, improve aesthetic enjoyment, also can adjust the mood, regulate the behavior of People's Daily, is the carrier of spiritual civilization and material civilization. At the same time, the emergence of urban furniture as a medium of cultural communication can transfer the culture and spirit of the city well. At the same time, it can effectively arouse the public's resonance and love for the region.
意义
家具是人们生活环境中必不可少的设备。按照人类工程学关于人类行为与“人—物—环境”系统中的界面关联研究视点来说,家具与人的关系至为密切。事实上,我们每个人、每个家庭都根据自己的审美情趣、生活习惯与日常活动的需要来选择、购置家具。而家具在被使用的过程中,在实现其服务功能、效用的同时又反过来约束、诱导、规范使用者的动作行为。例如,不同的座椅会使人自觉地调整与之相适应的坐姿。这就是在“人—物”之间的界面接点上,“物”通过人的意识与动作反应实现的“功能效应”。
城市又何尝不是一个以地域空间为限的大家庭呢?若将城市环境中的公共设施作为这个大家庭中人们所共有的“家具”来理解、审视,“城市家具”在城市建设中具有何等重要的位置,对城市居民的生活改善又具有何等重要的意义自是不言而明的了。
MEANING
Furniture is an indispensable equipment in people's living environment. The relationship between furniture and human beings is closely related to the research on human behavior and the interface related research of human - object - environment system. In fact, each of us, each family, according to their own aesthetic taste, living habits and daily activities needs to choose, purchase furniture. In the process of the use of furniture, in the process of realizing its service function and utility, it will in turn restrain, induce and regulate the behavior of users. For example, different seats make people consciously adjust their sitting position. This is the "functional effect" of the "thing" through the consciousness and action of human beings.
Is the city not a big family with limited geographical space? If the urban environment of public facilities as the mutual "furniture" people in this big family, to understand, look, how "furniture city" in city construction has important position, improving on the lives of urban residents and how important significance is not Ming said.
概念涵义
“城市家具”一词源于欧美等经济发达国家,它是英文“Street Furniture”的中文解释。
之所以被称为“家具”,是因为它蕴含了人们对城市生活的憧憬 ,户外场所能像家一样方便舒适。定义虽然不甚严密,却给人一种备觉亲切的感觉,使得冰冷的设施也变得温馨。
“城市家具”这一有着特定涵义的概念,确实给人留下了深刻的印象。而这种“深刻”在于它提示了一个新观点,引导人们重新审视自身周围的事物、思考这些事物存在的意义,并倡导从谋求“人—物—环境”系统和谐的认识高度上,“合理”地建设现在、把握未来。
小到果皮箱、交通标志,大到公交站台、城市照明设施等城市环境设施,都将融入市民的智慧和创意。城市环境设施是指在主要大街人行道上设置的邮箱、果皮箱、电话亭、休闲座椅、公交候车亭、交通指示标志、广告牌、照明设施、花坛、宣传旗帜等,这些都是市民生活中触手可及的服务设施,也被人们形象地称为“城市家具”。用“城市家具”这一名称来概指城市环境中的公共设施,定义虽不太严密,却别有一种令人倍感亲切的语感。
CONCEPTUAL MEANING
The term "urban Furniture" is derived from the developed countries of Europe and the United States. It is the Chinese explanation of "Street Furniture" in English.
The reason why it is called "furniture" is that it contains people's longing for city life, and outdoor space can be as convenient and comfortable as home. Although the definition is not very strict, it gives people a feeling of warmness, making the cold facilities warm.
The concept of "urban furniture", which has a specific meaning, is really impressive. And this "deep" is that it indicates a new point of view, guide people to re-examine their own surroundings, thinking about the meaning of these things exist, and advocates from seeking "- - environment" system harmonious understanding height, "reasonable" to build now, grasp the future.
Small to the fruit trunk, traffic signs, big bus stops, urban lighting facilities and other urban environmental facilities will be integrated into the public's wisdom and creativity. Urban environmental infrastructure refers to the main street sidewalk set E-mail,, telephone booth, leisure chairs, bus shelters, traffic signs, billboards, lighting, flower beds, publicity banners, etc., these are all within easy reach of the citizens life service facilities, also has been vividly called "furniture city". The term "urban furniture" refers to the public facilities in the urban environment. Although the definition is not very strict, there is not a very kind sense of language.
家具设计
FURNITURE DESIGN
设计要求
人性化设计对设计师提出了很高的要求。
首先,要求设计师具有人文关怀的精神,能够自觉关注以前设计过程中被忽略的因素。如关注社会弱势群体的需要,关注残疾人的需要等。
其次,要求设计师熟练把握人机工学等理论知识,并能运用到实践中去,体现出设施功能的科学与合理性。如垃圾箱的开口,太高和太低都不便于人们抛掷废物,太大则又会使污物外露,既不雅观又孳生蚊蝇,同时还要考虑防雨措施以及便于清洁工人清理等。
再次,设计通过调动造型、色彩、材料、工艺、装饰、图案等审美因素,进行构思创意、优化方案,满足人们的审美需求。
城市家具是城市景观中重要的一部分,它所发挥的作用除了其本身的功能外,还要体现其装饰性和意象性。城市家具的创意与视觉意象,直接影响着城市整体空间的规划品质,这些设施虽然体量大都不大,却与公众的生活息息相关,与城市的景观密不可分并忠实地反映了一个城市的经济发展水平以及文化水准。随着社会的发展,人们生活方式、思维方式、交往方式等也在不断的变化,人们在渴望现代物质文明的同时,也渴望着精神文明的滋润,城市家具的人性化设计不仅给人们带来生活的便捷,而且也满足了人们的社会尊重需求,更让人们在使用中下意识地感受到一种舒适安闲,并从体味生活的愉悦中转化为对美的永恒追求。
由中国美术学院与德国基尔工艺美术学院两校合作,以“城市家具”为课题命名的设计成果展示发表,不仅是中德两国在工业设计领域里开展学术交流的良好开端,同时也是工业设计学界向社会广求关注研讨、以达共识,为促进中国城市建设、提高城市环境质量而力行奉献的善举。
DESIGN REQUIREMENTS
The humanized design puts forward very high requirement to stylist.
First of all, it requires the designer to have the spirit of humanistic care, and can consciously pay attention to the factors neglected in the previous design process. Focus on the needs of the disadvantaged groups and the needs of the disabled.
Secondly, the designer is required to master the theoretical knowledge such as ergonomics, and apply it to practice to reflect the science and rationality of the facility function. Such as opening of the bin, high and low for people throwing trash, too big and will make the dirt, indecent and breeding flies, should also consider rainproof measures and facilitate clean workers clean, etc.
Thirdly, the design is designed to satisfy people's aesthetic needs by using aesthetic factors such as modeling, color, material, process, decoration and design.
Urban furniture is an important part of urban landscape, and its function is not only its own function, but also its ornamental and artistic. City furniture originality and visual image, directly affects the urban overall planning and quality of the space, most of these facilities while volume is not big, but is closely related with the life of the public, is closely connected with urban landscape and faithfully reflect the economic development level and cultural level of a city. With the development of the society, people life style, thinking mode and the way of communication is also in constant change, people are eager to modern material civilization at the same time, also eager to spiritual civilization moist, the humanized design of city furniture not only bring people life convenient, but also meet the demand of the people's social respect, more let people subconsciously feel a kind of comfortable and comfortable in using, and from the pleasure of tasting life conerted to eternal pursuit of beauty.
By the China academy of fine arts in collaboration with the two schools of Kiel, Germany technology academy of fine arts, named after the "furniture city" as the subject of design results show published, is not only China and Germany in the field of industrial design a good start to carry out academic exchanges, and industrial design profession GuangQiu focus on research to the society, so as to achieve consensus, in order to promote China's urban construction, improve the quality of urban environment and practice ACTS of kindness.
设计理念
在展出的所有城市家具系统设计的方案与模型中,他们不同思路的设计却同时持有一个相同的设计理念:一、以人为本、尊重人的尊严、重视物的功能效应;二、有益于人类、有益于环境、谋求“人—物—环境”系统的和谐。
DESIGN CONCEPT
All city furniture on display system design plan and model, their different way of thinking of design but at the same time hold a same design concept: first, people-oriented, respect for the dignity of people, pay attention to the function of the effect; It is conducive to the harmony of mankind, the environment and the system of "human - things - environment".
设计原则
“城市家具”的设计应该具实用性、生态性、经济性与文化艺术性。从本质上讲,“城市家具”设计追求的是人与自然的和谐。使现代“城市家具的形式和风格趋于生活化、环境化的同时,更具亲和力。一件好的“城市家具”设计作品更应该将艺术、技术、文化和设计巧妙结合,从而最大限度地满足人性需求。德国设计师曾提出了设计的三原则“适用、美观、经济”但笔者认为设计还应该突出地域化原则。
⑴ 人性化原则
人性化的设计原则是合乎时代发展要求的理性观念,是产品设计沿着正确方向发展的指导思想。人是城市户外环境的主体,环境设施都是为人服务的。因此“城市家具”的规划与设计要体现对人的关怀,关注人在其中的生理需求和心理感受,以人为基本出发点,研究人的需求,探索各种潜在的愿望,提出人在城市户外生活中存在的各种问题,符合人体工程学和行为科学,细部设计要符合人体尺度的要求,且布置的位置、方式、数量应考虑人们的行为心理需求特点,并在解决这些问题时通过户外家具本身,使人的各个器官能得到延伸而发挥作用,使人们活动起来更方便、更舒适,从而实现人存在的价值和意义,提高人们整体的户外生活品质。此外,人性化的设计不仅要考虑到正常人的需求,还要考虑到伤残人、老人和儿童等的特殊要求,体现对人的命运的关怀,对社会弱势群体的关爱,人人都可以平等且无偿地享有在户外进行活动的权利,努力创造一个公平、平等的社会环境。因此,人性化设计原则是“城市家具”设计所要遵循的首要原则。
随着“城市家具”设计的不断深化,“城市家具”不再只满足单一的使用功能,而是同时将几种使用功能融于一体。这样不仅能够有效地实施“城市家具”的功能,降低建设成本,发挥设计的综合效益,还可以增强美感,塑造完美的城市公共空间。
⑵ 整体化原则
“城市家具”与城市公共空间环境的关系,随着人们生活和观念的变革而变得越来越密切,与整体环境和谐、协调是“城市家具”设计的基本要求。建立与整体环境相融合的观念有助于在城市公共空间中对“城市家具”进行系统化设计。因此,“城市家具”的设计要从整体的观念出发,结合“城市家具”不同的使用功能,确定其在不同环境中的造型、色彩、材料和尺度,使这些设计要素与城市公共空间环境相协调。在整体环境观念下的城市公共空间中的“城市家具”,经系统化处理,将对城市公共空间的性质加以诠释,对景观环境意象加以突出刻画,使得环境景观具有明显的可识别性,整体环境更加统一。城市家具作为城市景观环境构成的元素,其设计在景观环境有关元素组合的整体结构下,可以结合环境氛围的不同要求,利用其形式、色彩和质地等设计要素进行特别的处理和安排,使局部的景观环境具有明显的可识别性,成为显眼的定向参照物——城市景观环境的“记忆”,为整体景观注入新的生机,使之具有特征和个性。城市家具与室外空间环境合于一体,相辅相成,表达出其设计的深思熟虑,严格且完整的整体环境意象。同时,由于城市家具效应作用的提升,将使室外空间环境更具有宜人、简洁和内涵丰富的特征。
⑶ 生态化原则
“城市家具”设计的生态化原则主要是指在其原材料获取、生产、运销、使用和处置等整个生命周期中密切考虑到生态、人类健康以及安全问题。具体而言,就是应该考虑选择对环境影响小的原材料,减少原材料的使用,优化加工制造技术,减少使用阶段的环境影响,优化产品使用寿命及产品的报废系统。一座城市的发展需要可持续性,在提倡建设生态环境、生态居住区的今天,保护环境,回归自然,崇尚简洁意识已成为人类人们的共识。因此,城市环境景观设计也应该跟上时代发展的趋势,并通过艺术创作和处理使作品的外观呈现材质特有的自然性和生态性。特别是城市景观的重要组成部分,城市家具理应提倡环保、生态、节能、自然。比如在城市中设置分类垃圾箱,便于垃圾分类收集与资源回收利用。另外,一些垃圾箱本身就可以设计得非常环保,绿色外形,选材经济,设计精美,安装简单。还可以在家具上就环境保护和表现自然的主题进行专门的创作与研究,使城市家具成为宣传生态、节能的形象大使,时刻提醒人们增强环保意识。
⑷ 地域化原则
城市家具的设计应该充分尊重场所的内在精神,一方面为人们创造理想的户外生活空间,另一方面更应该体现出整个城市的风格特色,向使用者有效地传递环境信息。由于每个城市所处国家、地区和形成年代的不同,城市风貌呈现出多样性。生活在其中的人总能感受到城市特有的风韵。城市公共空间中“城市家具”的设计要与城市的风貌一脉相承,要与地域文化相吻合,与城市公共空间中的建筑形式、色彩、空间尺度和人们的生活方式产生共鸣。因此进行“ 城市家具”设计时,必须尊重地域特点,尊重城市传统文化内涵,将文化性渗透到公共家具中,提升城市公共空间品质、提高城市文化内涵、延伸文脉和场所感;将历史感渗透到公共家具中,将使城市景观不丧失历史气韵,并继续发展历史。
由于城市的形象与文化的差别,在设计中把城市特色因素加入到城市家具设计中,把城市家具设计得富有地域特色,更有利于展现城市风貌。在城市家具的设计中采用就地取材的方法,将乡土材料结合进去,一方面是对当地文化的一种体现,另一方面也对被占用的地表进行了部分的生态补偿。城市家具作为城市景观环境的构成要素,应在符合形式美的根本原则的基础上保护城市历史传统——风格、地域特性。城市家具的设计元素可以从城市中传统的样式、地方风格、材料特征和城市色彩等,具有很高艺术价值的城市“原型”中去发掘,使城市景观环境发展的连续性内在结构和本质秩序得到维护与完善,赋予城市景观环境新的生命,使其本身成为传递地域特征意象,反映对传统文化的价值取向,吸纳新文化的精神和能力的载体。
DESIGN PRINCIPLES
The design of "urban furniture" should be practical, ecological, economical and artistic. In essence, the design of "urban furniture" seeks harmony between man and nature. Make modern "city furniture form and style tend to life, environmental change at the same time, more affinity. A good "urban furniture" design should combine art, technology, culture and design to meet human needs to the greatest extent. German designers have put forward the three principles of design "applicable, beautiful and economical", but the author believes that the design should also emphasize the principle of regionalization.
⑴ Humanization principle
The humanized design principle is the rational concept that meets the requirements of The Times and is the guiding ideology of product design along the right direction. People are the main body of the urban outdoor environment, and the environmental facilities are all serviced. So "furniture city" planning and design should reflect the concern's for people, focus on the people in the physiological needs and psychological feeling, by artificial basic starting point, the demand of the study, explore the desire of the various potential, people put forward various problems that exist in the outdoor living in cities, accord with human body engineering and behavioral science, detail design should accord with the requirement of human body scale, number and arrangement of the position, way, should consider people's behavior characteristic, psychological demand and solve these problems through outdoor furniture itself, make the person's organs can be extended and play a role, make people move more convenient, more comfortable, so as to realize the value and significance of people, improve the overall quality of outdoor life. In addition, humanized design should not only consider the normal requirements, but also to the disabled, the elderly and children, and other special requirements, reflect on the life of a person's care, care of social vulnerable groups, everyone can equal and free to the right in outdoor activities, efforts to create a fair and equal society environment. Therefore, the humanized design principle is the first principle to be followed in the design of "urban furniture".
With the deepening of the design of "urban furniture", "urban furniture" no longer only satisfies the single use function, but also integrates several functions into one. This can not only effectively implement the function of "city furniture", reduce the construction cost, give full play to the comprehensive benefit of the design, but also enhance the aesthetic feeling and create the perfect urban public space.
⑵ It is the principle of integration.
"Furniture city" and the relationship between urban public space environment, with people's life and the transformation of the concept is becoming more and more close, and the overall environment harmony, the coordination is the basic requirement of "urban furniture design. The concept of integration with the whole environment helps to systematize the "urban furniture" in urban public space. Therefore, the design of the "urban furniture" starting from the concept of overall, according to different use function "furniture city", determine its in a different environment of modelling, colour, material and scale, these design elements in harmony with the urban public space environment. Under the concept of overall environment of the urban public space in the "furniture city", after the systematic treatment, the interpretation, the nature of urban public space of landscape environmental image to highlight the features, making environmental landscape has obvious identifiable sex, overall environment more unified. Furniture city as the urban landscape environment constitute elements, its design in landscape environment on the overall structure of the element combination, can be combined with the different requirements of environment atmosphere, to use its form, color and texture design elements such as special processing and arrangement, the local landscape environment has obvious identifiable, became visible directional reference - "memory" of city landscape environment, inject new vitality for the whole landscape, make have characteristics and personality. The urban furniture and outdoor space environment are integrated into one, which complements each other, and expresses its thoughtful, strict and complete overall environmental image. At the same time, due to the improvement of urban furniture effect, outdoor space environment will be more pleasant, concise and rich in connotation.
⑶ The principle of ecological transformation.
"Furniture city" is mainly refers to the ecological designing principles in its access to raw materials, production, distribution, use and disposal of the whole life cycle of ecosystem, human health and safety into consideration. Specifically, is to should consider to choose small impact on the environment of raw materials, reduce the use of raw materials, optimization of processing and manufacturing technology, reduce the use phase of the environmental impact, optimize the service life of the product and the product of the scrap system. The development of a city needs to be sustainable. In promoting the construction of ecological environment and ecological residential area, the protection of the environment and the return to nature have become the common understanding of human beings. Therefore, the urban environmental landscape design should keep up with the trend of The Times, and make the appearance of the works to be natural and ecological by artistic creation and processing. Especially the important component of urban landscape, urban furniture should advocate environmental protection, ecology, energy conservation, nature. For example, in the city, the classification bins are set up to facilitate garbage classification and recycling. In addition, some dustbins themselves can be designed to be very environmentally friendly, green appearance, material selection economy, beautiful design, simple installation. Can also be performance in the furniture is environmental protection and natural creation and study of specialized subject, make furniture city propaganda image ambassador of ecology, energy saving, remind people to strengthen environmental protection consciousness.
⑷ The principle of regionalization.
City furniture design should fully respect the inner spirit of place, on the one hand, to create an ideal outdoor living space for people, on the other hand should reflect the style characteristic of the whole city, more effectively passed environmental information to the users. Because each city is located in the country, the area and the formation time difference, the city style presents the diversity. People who live in it always feel the charm of the city. The design of urban public space in the "furniture city" with the view in the city, to be in conformity with the regional culture, and the construction of urban public space form, color, space scale, and people's way of life. So to design "furniture city", must respect the regional characteristic, respect the traditional culture connotation, culture permeates public furniture, improve the quality of urban public space, improve the urban culture connotation, extension of context and sense of place; Penetrating the historical sense into the public furniture will make the urban landscape not lose its historical charm and continue to develop history.
Because of the city image and cultural differences, in the design of the furniture design of city characteristic factors into the city, the city furniture design full of local characteristics, is more advantageous to show the city style. In the design of city furniture with the method of local materials, combines local materials, on the one hand, is a reflection of the local culture, on the other hand also the surface of the occupied part of ecological compensation. As the elements of urban landscape environment, urban furniture should protect urban historical tradition -- style and regional characteristics on the basis of the basic principles of formal beauty. City furniture design elements can be from the city in the traditional style, local style, material characteristics and urban color, has the very high artistic value of the city to explore in the "prototype", make the continuity of city landscape environment development order is maintained and perfect inner structure and nature, to bring new life, city landscape environment makes its own regional characteristics of image, reflect the value orientation of the traditional culture, absorb the new culture spirit and ability of the carrier.